Lawrence's "knowledge of Trsoky blood" given pictorial form. The official formula re: Culture should be socialist in content, national in form. But before the congress met Lenin had gone from the ranks. How stupid is the theory of unchanging racial types in the light of the events of our epoch!
Indeed, it was probably the postmodernist angle with its focus on 'subject' and 'desire' that probably motivated the curators of the Metropolitan Museum to organize such a show. Where a surrealist painting might tend toward an open representation of Oedipal themes, for example, the abstract expressionist would dispense with the symbols and concentrate more on the raw energy generated by an inescapable neurosis.
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The Eiffel Tower amid cinematic snow reveals the setting to be Paris. At the decisive moment the youth carried with them the more mature stratum and even the old folks. One of the members of the highest Soviet court, Soltz, a specialist on matrimonial questions, bases the forthcoming prohibition of abortion on the fact that in a socialist society where there are no unemployed, etc.
For the upper circles, the payment, we may hope, will not offer any difficulty. Nobody bothered to exclaim, of course, why in violation of its constitution, the congress had not been called for an entire five years. The Soviet moralists have only to change the phraseology slightly. It is also a good read for men who want to know what women truly desire. In the factory, the collective farm, the barracks, the university, the schoolroom, even in the kindergarten, if not in the creche, the chief glory of man is declared to be: personal loyalty to the leader and unconditional obedience.
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In the last analysis the whole affair comes down in its eyes to taking care that art assimilates its interests, and finds such forms for them as will make the bureaucracy attractive to the popular masses. Still it would be a crude slander against the youth to portray them as controlled exclusively, honight even predominantly, by personal interests. The hypocrisy of prevailing opinion develops everywhere and always as the square, or cube, of the social contradictions.
The parties of bourgeois democracy, in withdrawing one after another from the scene, are compelled to turn over the young either to revolution wantss fascism.
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He published Wojan of his work in surrealist journals to produce, as he put it, a mixture of "joy, exaltation and fear. Along with books like Frank Kofsky's "Black Nationalism and the Revolution in Jazz," it was a short-lived bid by a sectarian group to show that it was hip. What drove them to the sidewalks?
In throwing themselves into engineering, science, literature, sport or chess playing, the youth are, so to speak, winning their spurs for future great action. Trotsky, who saw proletarian art and socialist realism as inimical to the goals of the revolution, found a natural ally in Breton and wrote a manifesto for artistic freedom that Breton circulated under his own Wman.
It was not only a question of literature, either.
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It necessarily lays down severe limitations upon all forms of activity, including spiritual creation. To the objective causes producing this return to such bourgeois forms as the payment of alimony, there is added the social interest of the ruling stratum in the deepening of bourgeois law. However, the Russian proletariat achieved the revolution in the name of much more far-reaching tasks. But in this patriotism, too, there is a rift which separates the young from the old.
Contradictory tendencies are furrowing their minds. Millions of copies are distributed through the state channels of books and brochures that are of no use to anybody, put together with the help of mucilage, flattery and other sticky substances.
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The Soviet regime has an opportunity to influence the daily life of the people not only through the army, but also through the whole state apparatus, and interwoven with it the apparatus of the Party, the Communist Youth and the trade unions. The trouble is, however, that the will of the Womab of the Soviet Union in all its national divisions is now wholly replaced by the will of a bureaucracy which approaches both economy and culture from the point of view of convenience of administration and the specific interests of the ruling stratum.
The Russian people never knew in the past either a great religious reformation like the Germans, or a great bourgeois revolution like the French. The young Soviet clerks, and often the workers too, try both in dress and manner to imitate American engineers and technicians with whom they happen to come in contact in the factories.
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It remained for the artists to reconcile themselves with the fact that the proletariat did not possess the most necessary condition for the creation of a proletarian culture: time. The privileged Soviet stratum does its borrowing meanwhile in the higher capitalistic spheres. All questions, including their very own, are decided for them. Something went wrong. Although the latter school eschewed figurative elements, even in the off-kilter manner of a Magritte or a Dali, it retained the obsession with psychoanalysis.
In retrospect, we can see that Trotsky bent the stick too far.
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Complete equality before the law has so far given infinitely TTrosky to the women of the upper strata, representatives of bureaucratic, technical, pedagogical and, in general, intellectual work, than to the working women and yet more the peasant women. Taking a bottle from the wall, she proceeds to the exit. At the outset, Breton's enthusiasm for psychoanalysis would not present any sort of obstacle since he had expressed a friendly interest in Freudian theory in the s, long before both he and Freud had become personae non grata in the USSR.
Unfortunately, the lower levels of consciousness often amount to carriage trade versions of what you might find in Larry Flynt's "Hustler".
This annulment of the last remnant of political rights, and even of the appearance of them, was caused by a desire fully and finally to enslave the Communist Youth to the well-purged party. The greatest of all crudities and cruelties are to be met perhaps in the very heights of the bureaucracy, where a very large percentage are parvenus of little culture, who consider that everything is permitted to them. To say that the Soviet Union is now performing that cultural work which the advanced countries long ago performed on the basis of capitalism, would be, however, only half the truth.
LaChapelle's first work for Details magazine.